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Muslim Printing Before Gutenberg

FSTC Ltd.
4/1/2009
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The 15th-century German craftsman Johannes Gutenberg of Mainz is often credited with inventing the art and craft of printing. There is no doubt that this brought about a tremendous revolution in human communication and accumulation of knowledge, but was it really "invented" in 15th-century Europe?

 

Gutenberg does seem to have been the first to devise a printing press, but printing itself, that is, making multiple copies of a text by transferring it from one raised surface to other portable surfaces (especially paper) is much older. The Chinese were doing it as early as the 4th century, and the oldest dated printed text known to us is from 868: the Diamond Sutra, a Chinese translation of a Buddhist text now preserved in the British Library.

 

What is much less well known is that, little more than 100 years later, Arab Muslims were also printing texts, including passages from the Qur'an. They had already embraced the Chinese craft of paper making, developed it and adopted it widely in the Muslim lands. This led to a major growth in the production of manuscript texts. But there was one kind of text which lent itself particularly to mass distribution: this was the private devotional collection of prayers, incantations, Qur'anic extracts and the "beautiful names" of God, for which there was a huge demand among Muslims, rich and poor, educated and uneducated.

 

So in Fatimid Egypt, the technique was adopted of printing these texts on paper strips, and supplying them in multiple copies to meet the mass demand. Several have been found by archaeologists in the course of excavations at Fustat (old Cairo), and the archaeological context has made it possible to date them to the 10th century. Other examples have come from various sites in Egypt, where the dry climate has helped to preserve them. The style of Arabic script used varies between late Kufic and different cursive naskh and other styles used in the Mamluk period (13th-16th centuries). One good late example is printed on Italian watermarked paper of the 15th century. So Muslim printing continued for about 500 years. We do not know whether it may have influenced the eventual adoption of printing in Europe: there is no evidence, but the possibility cannot be ruled out, especially as the earliest European examples were block-prints. It has even been suggested that the Italian word tarocchi, meaning tarot cards (which were among the earliest block-printed artifacts in Europe), may have derived from the Arabic tarsh. But this is a highly speculative theory, and more evidence will be needed before it can be accepted.

 

Some of these printed documents display quite sophisticated designs involving calligraphic headpieces, transverse lettering, geometric panels, roundels, and the use of color. There is also a great variety of script styles.

 

Nearly 60 examples of these Arabic printed pieces survive in European and American libraries and museums, and an unknown number in Egypt itself. One example, in private hands, may have been produced in Afghanistan, or Iran, where it is known from historical sources that paper money was also printed in the Mongol period. There are very few historical or literary references, however, to the production of printed texts. It has been suggested that this non-classical Arabic term signified tin plates with engraved or repoussé lettering, from which printed impressions were made. But it is also possible that Chinese-style wood-blocks were used. The exact techniques are still in doubt.

 

What is not in doubt is that Muslims were practicing the craft of printing for some five centuries before Gutenberg.

 

References

·  Bloom, Jonathan M., Paper before print: the history and impact of paper in the Islamic world. New Haven: Yale University Press, 2001; see especially pp. 218-219.

 

·  Bulliet, Richard W., "Medieval Arabic tarsh: a forgotten chapter in the history of Arabic printing", Journal of the American Oriental Society 107 (1987), pp. 427-438.

 

·  Carter, Thomas F., The invention of printing in China and its spread westward. Revised by L. Carrington Goodrich. New York: Ronald Press, 1955; see especially chapter 18.

 

·  Depaulis, Thierry, "Documents imprimés de l'Egypte fatimide: un chapitre méconnu de l'histoire de l'imprimerie", Bulletin de la Société Archéologique, Historique et Artistique le Vieux Papier 35 / 349 (1998), pp. 133-136

 

·  Fenton, Paul B., "Une xylographie arabe médiévale à la Bibliothéque Nationale et Universitaire de Strasbourg", Arabica 50 i (2003), pp. 114-117.

 

·  Jahn, Karl, "Paper currency in Iran: a contribution to the cultural and economic history of Iran in the Mongol period", Journal of Asian History 4 (1970), pp. 101-135.

 

·  Krek, Miroslav, "Arabic block printing as the precursor of printing in Europe: preliminary report", American Research Center in Egypt Newsletter
129 (1985), pp. 12-16.

 

·  Levi Della Vida, Giorgio, "An Arabic block print", Scientific Monthly
59 (1944), pp. 473-474.

 

·  Lunde, Paul, "A missing link", Aramco World Magazine 32 ii (1981), pp.26-27 (on block printed Arabic texts.)

 

·  Schaefer, Karl, "Arabic printing before Gutenberg - block-printed Arabic amulets", Middle Eastern languages and the print revolution: a cross-cultural encounter. A catalogue and companion to the exhibition. Ed. Eva Hanebutt-Benz - Dagmar Glass - Geoffrey Roper in collaboration with Theo Smets / Gutenberg Museum Mainz, Internationale Gutenberg-Gesellschaft. Westhofen: WVA-Verlag Skulima, 2002, pp.123-128.

 

·  Schaefer, Karl, "Eleven medieval Arabic block prints in the Cambridge University Library",Arabica 48 ii (2001), pp.210-239.

 

·  Schaefer, Karl, "The Scheide tarsh. Princeton University Library Chronicle 56 iii (1995), pp.400-430.

 

·  Schaefer, Karl, Enigmatic charms: medieval Arabic block printed amulets in American and European libraries and museums. Leiden: Brill, 2006 (Handbook of Oriental Studies, I/82).






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